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Comic Book Confidential

6.8

Genres are HistoryDocument Produced in 1988, USA, Canada

Available Quality: DivX

Rating: 6.8 out of 10 (424 votes)

512x384 696 MiB

Storyline

Plot Summary:

In the 20th century, no artistic medium in North America with so much potential for creative expression has had a more turbulent history plagued with less respect than comic books. Through animated montages, readings and interviews, this film guides us through the history of the medium from the late 1930s and 1940s with the first explosion of popularity with the superheroes created by great talents like Jack Kirby and hitting its first artistic zenith with Will Eisners Spirit. It then shifts to the post war comics world with the rising popularity of crime and horror comics, especially those published by EC Comics under the editorshiop of William B. Gaines until it came crashing down the rise of censorship with the imposition of the Comics Code. In its wake of the devastation of the mediums creative freedom, we also explore ECs defiant survival with the creation of the singular Mad Magazine by Harvey Kurtzman. We then move to the resurgence of the superheroes in the late 1950s and 1960s typified with the rise of the dramatically innovative Marvel Comics edited by Stan Lee. Still more important is the rise of the the gleefully uninhibited underground comics created by eccentric talents like Robert Crumb and Dan ONeill. These leads to profiles of creaters like Harvey Pekar who take the medium into new directions of expression. In the late 1970s and 80s we see the rise of alternative comics with such bold talents like Jaime Hern

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Jack Gattanella

24 May 2012

for die-hards it will be an incomplete but essential treat, and for newcomers its... eye-opening, to say the least

Comic Book Confidential, which is a (now) relatively obscuredocumentary on the history of 20th century comics up until its finishedfilming date (about 50+ years between the start of the 'Funnies' to thepublication of The Dark Knight Returns by Frank Miller), is a film Ilook at on two levels: one is as a growing fan of comic books andgraphic novels, who has known names like Stan Lee and Robert Crumb foryears and is now knowing well names and works by the likes of WillEisner, Harvey Pekar, Charles Burns and Jack Kirby better than ever,and wants to soak up as much knowledge as possible. The other is as adocumentary informing on the varied and eclectic history of a verymodern medium that can only grow. On both fronts the film reaches farfrom greatness, and in all actuality is incomplete. But I admired itsambition for a different approach with its transitions and showing whatthe comics were an evolving but "primitive art form", as Eisner says.Ron Mann and his team basically gathered a rogue gallery of 'who's-who'of comic book writing legends (with the sad exception of a few, BobKane and especially Alan Moore, that add to it feeling short andincomplete though not just because of that), and covers how comicsstarted in papers, spread to Superman and Batman, then the war, horrorcomics, the wretched "Comics Code", and the slow but eventual erosionthrough the start of Marvel comics and, more-so, the underground comicboom started by Robert Crumb and going on to more radical and crazydimensions. While Mann may spend a little too much time with theunderground folk (may being the big word, I dug it visually mostly), hegathers up a lot of useful and funny anecdotes- from Pekar about hisembarrassing jazz radio station fiasco to one writer's troubles withdoing an outrageous rip on Mickey Mouse.The film tries, and usually succeeds, at engaging on its ownserio-comic approach, with the panels of comics flashing by at a cooland concentrated pace, and some groovy tunes from Doo-Wop onto 80sNew-Wave. It's biggest problem though, aside from a few notables notbeing included that, if only as a minor fan-boy, feels irksome, is thatit's actually too short to fully dig into its well of possibilities.What's scratched here can suffice for die-hards and newcomers, thelatter probably just bedazzled by the amount of underground productthey've never heard of (some of it news to me and some, like Maus, thatone means to check out but haven't yet for a reason or another). Butthere's probably a more ambitious documentary waiting to be made, onewith more access or more money, maybe even on the level of a Ken Burnsprobe, that could be made on the subject either as a companion orupdate (bring in Warren Ellis!)

tap712

24 May 2012

Not quite there yet...

I felt the movie "Comic Book Confidential," directed by Ron Mannillustrated the history of comics, and comic book making very well.Approaching each, and every artist, creator, or well known figurerelated to comics. The very first comics began in 1934, sticking strongtill 2011. However the only flaw I seemed to notice throughout thefilm, is Ron Mann never approached the topic of comics relating to wellknown novels. There were huge comics relating to Huckleberry Fin, TheOdyssey, and Tom Sawyer throughout the later 1930's-1950's. Some comicswere even combined stories, such as Huckleberry Fin, and Tom Sawyer. Iwould've appreciated this film much more if they had gone more intodetail about the comics, and less about the creators. The only comicsthey approached were the well known Superman, and Batman comics (yesvery major comics) however hearing more of the unknown comics wouldhave been a little more appealing to me.

Kenneth Chisholm

23 May 2012

The best overview of the medium so far, but it needs refining.

When this film came out, it was a refreshing and enjoyable movie. Ittreatscomics with some real respect and takes the time to explore the medium insome detail.However, there are some flaws. Some of the talents interviewed do not workin comic books per se, but in comic STRIPS, a variant of the medium thathasgotten much more respect over the years than comic books. However, thatvariant has it's own history and dicipline that is distinct from comicbooksand should not have been included. This is meaning no disrespect talentslike Bill Griffith, but it's like having a film discussing the art andhistory of movies and having TV series producers interviewed. They arepartof a related medium, but are really not relevant to the main subject of thefilm.Otherwise, it does cover a fairly complete view of the form with giantslikeJack Kirby, Stan Lee and Robert Crumb, although I would have liked to haveseen talents like Alan Moore (Swamp Thing, Watchmen) or the Pini's(Elfquest) being interviewed. The animated sequences were a neat way togetthe atmosphere of the comics in their different eras as well as the majorcharacters. The footage of the pages from "Batman: The Dark KnightReturns"was particularly effective.In short, if you need a quick overview of the comic book as a form of art,then this film is well worth your time.

Fred Flinstone

23 May 2012

re previous comment

The previous comment was incorrect!Bill Griffith did publish at least one comic "book" entitled "Are wehaving fun yet?"BTW, the movie was GOOD. Another good Ron Mann movie I recommend isGrass.Cheers!!!

rzajac

20 May 2012

Sure, not perfect. But still crucial viewing for people who want to understand comics in the U.S.

Really, my summary line sez it all.This film does a valiant, necessary job: In its scant 80ish minutes, itgives a passable broad view of the evolution of the comic medium in theU.S.Take it from me, if you grew up with comics in the 60s thru the 80s,this film covers an impressive array of the essential bases. One of thehighlights, to me, is basking in Will Eisner's beautiful visionarymind.And the other minds you see are lovely variations on that centraltheme.Wonderful, wonderful, wonderful! Lovely production values,highlighting--just like comics! Fancy that!--the power of wild,middling production values coupled with untrammeled creativity to speaksimple, direct truths that touch your heart and free your mind.Check it out.

humenbean

19 May 2012

Good idea in theory, bad in practice.

During the movie the director Ron Mann attempts to tackle many aspectsof comic (not book) history. Political struggles, sexism, artisticfreedom are just a few that are covered. In order to discuss such abroad range of situations and evidence the movie starts to jump arounda bit. It is just too much to cover in such a short film and certainkey points are not covered well.*possible spoiler*During the film a short period of time is dedicated to how much impactwars had on comic books. More time is spent discussing one of the comicbook writers characters and leads to nothing.*End Spoiler*This film is worth at least a once through to see the quirky side ofsome artists, but should have spent less time being a back stagedocumentary and taken better direction of the film's layout.

Michael Neumann

18 May 2012

not strictly for comic book geeks

Ron Mann's playful documentary works in two ways, first and foremost asan affectionate thumbnail history of comic books and the socialattitudes that nurtured them, from the super patriotic fervor of theSecond World War to the right-wing paranoia of McCarthyism to thecounterculture underground of the '60s and beyond. Elsewhere it's anintroduction to almost two-dozen comic artists (the tag cartoonistdoesn't do them justice) still plying their trade, all of them misfits,rebels, radicals, and malcontents. Snappy graphics and sample artcombine to make the film a colorful celebration of an enduring andpopular form of self-expression, with one drawback: most of thehighlighted artists could have inspired their own full length feature,and the film simply isn't long enough to examine them individually tothe depth they each deserve. Also, parents please note: despite thesubject matter this is certainly not a film for children.

brittney-mcclellan

18 May 2012

Good film

I've read comics before, but i'm not an avid comic book reader, anduntil this film I had no idea of the great history behind comic books.This film is tailored to educate and entertain everyone from the mostavid comic book readers to the people that know nothing about comics.The film did a fantastic job at going through the history of comics andhitting on all of the aspects of comic books and comic book writers. Ido, however, wish there was more about women's involvement in comics.Comic Book Confidential is filled with great interviews from bothwell-known and not-so-well-known writers, and is filled with greatinsight into the rich history of comic books.

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